Tag Archives: 1970s

Van socks in long term parking

My 1970s naval gazing continues…

I’ve been reading some fiction of the era…

van-book

This book in particular makes me think of lives I might have led if I were born a decade earlier and stuck with my circle of art friends – and the life feels more comfortable – there are missed telephone calls, visits when messages can’t be left, and letters written then received once feelings have already passed…

But it is not my life, nor anyone’s these days even if trying to shrug off social media and pocket phones as much as possible.

(And I have to admit, I picked up this book in the library booksale largely because of the woman draped in the beautiful textile on the cover…)

I started another pair of combo socks that I planned for a few months ago.

experiment-color balls

And I had to put them down.

van socks

They were starting to look way too much like 1970s vans.

And even though if I saw one, I’d be like “Whoa, check out that van!” in a somewhat admiring tone, I wouldn’t really like it, and I never did – they were creepy to me even back then.

Early in our relationship, N told me he sewed a van in a home ec class and I momentarily thought him a bit creepy for it too, but in the end more so endearing, though I can’t convince him to sew another now…

So they will sit for a bit – I don’t want to wear 1970s vans, but they make me smile thinking of N’s story, but then they creep me out…

The only other option for that offending yarn is to overdye it – it is alarmingly dominant in this project, and I could possibly get it to step back if I held it with a slightly larger yarn, but that still wouldn’t eradicate its browns with near neons and the smell of weed and coco butter and polyester with stale sweat wafting off of it…

spring socks

So I started another pair instead – with yarn made up of my favorite colors…

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A mostly 1970s quilt…

It’s hard not to call this ramble something like “that ’70s quilt” or “talkin’ bout my generation” (even though that was the ’60s and has nothing to do with fiber) – something overstated but understood, jingly and annoying but common and somewhat comfortable…

But that somewhat encapsulates my feeling of the whole decade – it causes me equal parts discomfort and nostalgia.

I hated the 1970s because I hated polyester, stale cigarette smoke, musky perfumes, mustaches, “me,” disco (I kinda like that now), cheesy love songs, feathered hair, giant cars (El Caminos excepted), tube socks (I kinda like those now), my bible-beating public elementary school, my ignorant small town, plastic toys, Vietnam-damaged fathers and uncles (I didn’t have one, but most did), high-waisted clothes, acrylic, popular colors of pus, piss, and poo, the stench of leaded gasoline, dusty scents from too much unwashed macrame and houseplants and pillows and tapestries, halter tops on women and girls, too much wood, terrible architecture…

But I loved typewriters, lower-waisted clothes, back to earth movements, interpretations of 1920s and ’30s revivals, funk, longer hair, afros, craft revivals, interesting food, fantastical fiber creations, and a bunch of other stuff – mostly wrapped up in nature and creativity and the lovely analog life…

It sort of all started with this fabric. It might be older than the ’70s, but the calico and earthy colors reminded me of rustic quilts in mountain cabins comforting those who played banjos, wore patched corduroy, and brewed dandelion wine. I suppose that is more Appalachian than the ’70s, but since my parents moved us to the country to get back to the earth then, and I had a musical family who partook (and still partakes) in old time music and dance, my association is personal, though part of a definitive ’70s cultural movement.

1970s baking fabric

The fabric came from an antique mall (I think), and it’s a massive amount – some 10 or 13 yards, and it had to have been priced at $15 or less, so I bought it without a specific quilt in mind, but with the thinking that any cheap large amounts of cotton fabric = quilt backs. At the time, I also had a cousin who lived in an old house and participated in old time life whose wedding was a few months away, and I had grand ideas of making a massive rustic quilt for the couple. But that thought was short-lived – I never thought about what the top would be, and our own old house didn’t yet have a kitchen and sewing machines were packed away, and I essentially had stopped making quilts for anyone, or any bed-sized ones at all…

Fast forward a few months ago when I was unpacking and organizing my fabric stash, I found that fabric again, and also pulled out the tiny bit of my mother’s leftover stash that I’ve keep separate for fear of forgetting what was from my own past and what was from someone else’s.

1970s home fabric

Some of these are are a little earlier too, and I remember the top blue covering a chair seat likely done in the ’60s… and I vaguely recall the black or navy used for a piece of clothing for me. A bit more of this sort of calico found its way into the treetop of this piece.

Birdscene

And my old bonnet – which still fits…

(Remember the ’70s aslo had that patchworked and bebonneted character of Holly Hobbie and the resurgence of Sunbonnet Sue – I’m not sure which inspired my mother to sew a long dress with matching bonnet and white eyelet pinafore for a xmas outfit for me…)

1970s bonnet

But the fabric is awesome – baby chicks, scarecrows, kittens… I don’t want to cut this up though, so bonnet/artifact it will stay.

1970s bonnet detail

I also kept a terribly sewn dress that I remembered hating to wear because the neck or the empire waist, or something about it was too damn tight, and it was a baby style sized up to my girl frame, though I was forced to wear it around the person who gave it to me, and clearly it is faded so I must have been strapped into the thing often – or – the fabric was lousy and faded on the clothesline quickly. I think the fabric is a Liberty of London? And I have no idea why I kept it except for evidence in a child torture suit? Because I like brown?

(As an aside, I don’t get the hullabaloo about Liberty – sure, I appreciate the historic factor, but where is the fabric made? England isn’t known for its cotton crop, so it isn’t really made there, just printed. And though some of the patterns are lovely, some are a bit too romantic and twee for me, and some are just plain frumpy and if not in the know, would appear to be something that came from the big box…)

So I have no qualms about cutting it up – and I had it stored with an unfinished felted bag with pinks and browns, so it still could become a lining.

1970s dress detail

And finally, I remembered an aunt’s homemade skirt from that time – a mountain dwelling dancer whom I looked up to – I don’t know why I ended up with her skirt, but I was a tall child, and it fit me with the aid of a safety pin and I remember wearing several times when I needed to look “old fashioned” for some school pageant or living history sort of thing.

It still fits, but is nearly a foot too short for being the maxi-style skirt it is supposed to be. I am very hesitant about cutting it up, though I truly want to have less in my life – perhaps I’ll consider shortening it a bit to wear as a skit again, and then have the scrap to use, or perhaps I want to make a smaller wall quilt just out of it alone….

1970s-skirt detail

Though my thinking about ’70s fabric mainly revolved around brightly colored calicos and decisively shunned other fabrics of the decade, my mind started to wonder/wander about “cheater” cloth and if I shouldn’t just get several yards of the stuff and only add my own patch to it here and there.

I found this awesome hex pattern online and snatched it up…

1970s cheater fabric

It reminded me of my old pants.

1970s pants

(I’d like to think I caught Patches the cat leaping through the air in a trick feline circus move, rather than I’m probably squeezing her, or him? to the point of torture).

But that awesome mustard fabric is more of a canvas, there’s only a yard or less, and I think I’d rather make a tote bag out of it, so my focus returned.

I looked around for some more bright vintage calicos and was rather disheartened by the prices online – I’m used to picking up second-hand fabric (at least stuff that’s less than 50 years old) for a song…

But then this stuff is now “vintage” after all – I often think the ’70s was only about 18 years ago…

1970s cut fabric

I found a good deal on some pre-cut patches – normally I hate the pre-cut stuff because I like to use every last scrap of fabric and I mourn for the jagged corners thrown away, but I wanted some variety and this fit the bill.

And then I found a few larger cuts – the one on the left has a pleasing brown background, and the one on the right has a coy bird…

1970s bird fabric

(One of my online orders reeked highly of dryer sheets or some other synthetic stench. I can appreciate the need to scent the stash to deter fiber-munching predators, but if you sell it to others, please don’t use these chemical bombs – lavender and other herby sachets and naturally scented soaps and such work just as well and don’t cause respiratory distress in others as much… Better yet, send it out once it has aired and smells of nothing at all…)

And then I dug through my regular stash and found some prints older and newer that fit in well enough – most of these are scraps and fat quarters from the craft supply thrift store (usually 4 or 5 for a dollar), or in grab bags at antique malls, so all told, I spent less than $30 on my new old acquisitions to scratch my ’70s itch – not too overboard, but still fabric in, money out, and nothing to show for it….

1970s random scraps

But I don’t really like these colors – too primary with searing reds – I like that they’re warm and happy, but I don’t want to see them every day and I don’t want them in my bedroom with its calm and soothing hues. So perhaps it was enough to just gather my thoughts a bit and collect these few more fabrics – the total lot doesn’t take up much room and I’ve yet to lay it out or calculate to know if I even have enough for a quilt – a throw size definitely, which is perhaps what I’m leaning towards if anything at all…

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Other people’s houses

When we go on vacation we nearly always stay in other people’s apartments and cabins. Hotels serve their purpose for a night or two on weekends or in in-between places (and we’ve managed to rack up some points to stay in some neat ones). But for longer stays, it’s cheaper, sometimes more comfortable, and easier on the gut to stay in other’s living quarters. I can’t take eating out for more than one meal a day, or too many days in a row, even in places with my favorite cuisines – I need home cooking on a regular basis and I like exploring  new markets (or we bring our own groceries if it’s remote and/or slim pickings for good stuff).

I like staying in places that feel homey but don’t seem too much like someone else’s home – strong smells, dog hair on the sofa, stained linens, funky (stinky) plastic dishware, too many personal effects, and condiments of dubious quality still in the fridge are turn-offs. But on the other hand, places decked out in all new things that all match, bought brand new in either “wal-fart for cabin” or “swedish store Euro-chic” seem too sterile.  But I suppose I do prefer the sterile, even with resin bears and thin wobbly dressers, to cabinets with tubes of butt cream, half-smoked joints in the bowl on the living room table, and 73 photos of very sticky germ-ridden grand kids on too many unlaundered sticky doilies… And no matter what, I always spend way too much time thinking how I’d tweak any place a bit – from cleaning out the moldy caulk and rubber tub daisies, to painting a cheap wooden chair so it doesn’t blend in so much with the wooden walls…

And I’m a bit conflicted with the act of owning a second property – granted, it’s fine if it’s well-used by extended family and renters I suppose, but it leads to over-building, destroying habitats, and the production and disposal of more cheap crap (not to mention my contempt for the rich, but that’s another category since they usually don’t share or rent their homes to others)…

But we’ve yet to hit the jackpot for meeting all of my hopes – clean, not moldy, not very cluttered, but stocked full of (not sticky) puzzles and games and take one/leave one paperback, decent mattresses, a nice place to read or knit with adequate lighting, and a kitchen with a pot large enough to boil pasta and a corkscrew. So we pack along as much as these things as possible when trying out someplace new.

The cabin we’ve stayed at a few times now in the White Mountains doesn’t really meet many of those things either, but it’s got something a bit more rare – history and honest frugality. Now, that isn’t surprising for New England, but for rentals, they are elusive qualities. The place dates only to the 1960s or 70s, but is full of a generation’s or two earlier cast-off furniture and books.

I love this particular dresser – the quarter-sawn oak veneer is still in excellent condition, but the handles are a lively mismatch of whatever was on hand. Too many of us (myself included at times) would just go down to the big-box and buy six matching replacements when it is totally unnecessary.

NH-dresser

The bathroom wallpaper initially made me a bit twitchy, but I’ve grown fond of it and it’s in really great condition – the room could be brightened up a little with some accent paint in that cheery orange…

NH-wallpaper

And the curtains were perhaps bought new via an advertisement in Yankee magazine from the early 70s – I love that both still live in the cabin, though I’d certainly wash the curtains because they probably never have been… And both the magazine and one of the popular style trends was in the “ye olde” variety for that time period, it also dates to the beginnings of me and makes me feel ye olde and crumbling and yellowed and low-tech too…

NH-curtains

And there is a small settee awkwardly shoved in a corner that was probably semi-banished when a bigger new sofa went in a couple of years ago, but they still kept it – it’s in fine shape with a delightful bird pattern – I’d be tempted to get rid of the big new sofa and use it instead… (but the new sofa is damn comfy).

NH-textiles

 I wish there existed many more old but perfectly good (not smelly or sticky) things in our lives and weren’t so quick to toss them… though I don’t have that much of a love for bobbles…

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Child stitchery (not in a sweatshop)…

On a trip to visit my folks (I won’t say home because they tragically (for me) sold it some years ago) earlier this summer, I finally found this little fabric picture that used to hang in my bedroom.

Birdscene

The scene is one I drew, and drew quite often as a slightly obsessive little sh*t, and at the dumbsh*t age when I didn’t comprehend that the sky wasn’t just up there and therefore depicted it as a stripe.  So let’s say I was four, or should four-year-olds understand how the sky works?  So maybe I’ll say three…  Regardless, my mother deemed my “Bird In Flight to Nest” precious and decided to turn it into a sewing lesson.  I’ll say that it was my first, but I really don’t know.  She cut out the pieces, sewed the margins on the machine, and gave it to me to applique.  I do clearly remember getting somewhat bored or frustrated with it, and it is also quite clear that she finished it for me and then added a few embroidered embellishments.  I don’t know if this took place in the span of a day or I abandoned it for some time and she got tired of having it only partially completed for weeks or months.  I also don’t remember if it was during the one truly massive blizzard of my youth (though I think I was down with the chicken pox then) or in the leisurely long days before I had to go to school.  Either way, it was something I did as a child wherein my hands and mind were engaged (and it wasn’t so traumatic that I didn’t want to do it again).

Birdscene-det

This was before the recent cringe-worthy days of fashionable “upcycling.” Smack in the 1970s when fuel crises, a renewal of the back to the earth movement, thoughts of Silent Spring, and the birth of Earth Day were kicking around.  My parents left their urban home to escape air pollution, overcrowding, and to grow wholesome organic food on a few idyllic acres.  We were also broke-ass poor, so recycling old clothes into craft projects was both a necessity and entirely practical – how many thousands of years have we just used what we have and then used it some more?  Why should this now be a trendy buzzword to help sell our crafty stuff?  Convince the buyer that her materialism is ok because it’s upcycled and therefore she is a conscientious fabulous person?

Fabric is fabric is fabric… and is infinitely re-usable.  Sometimes the perfect print is on a bolt, sometimes it’s a pair of pants… you’re not special for using or buying either one.

But back to the picture.

The components are:

Sun:  I assumed the terrycloth sun was salvaged from a much abused towel, but my mom said it was leftover fabric from some shorts she made for my brothers as small children in the 1960s… I’m not sure I’d like terrycloth shorts… they seem so, absorbent?

Tree trunk:  Yep, that’s my dad’s old tie – gotta love plaid neck wear…

Sky:  Leftovers from a quilt my mother made for me of yellow, green, and blue gingham to match my wallpaper of the same colors (only the wallpaper also had puke tones in it too).

Flowers, eggs, bird parts:  Felt scraps – who didn’t have random felt scraps lying around?

Nest:  Burlap feed sack – we lived on a little farm with little animals and a pony.  Food for them came in burlap bags.

Bird:  This is an odd denim/oxford cloth hybrid that was probably clothing in its former life.

Grass, leaves:  We can’t remember what these scraps are from, but I wore various homemade calico skirts, shorts, halter tops (remember, 1970s over here) and dresses.

Background:  This could have been leftover paining canvas or material for rustic curtains.

And even though this turned into a rage against the preciousness of upcycling, it was originally meant to be a rage against not teaching children how to sew or make bread or brush animals or do anything constructive with their hands.  Yeah, there are a few schools that teach such things, but as a whole we’re becoming such boring dumb-asses with our iSh*t.

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