Tag Archives: green

New England travels – much hiking, some fiber time…

We spent a much extended holiday weekend (turned week and a half) in the White Mountains last week.  N is hiking all of the “4,000 Footers” and I am choosing a few as well, but preferring to collect mountain ponds and the smaller lesser-trod peaks and loops.  On the few days when he’s up at an ungodly hour to hit the trail solo, I’m groggily but happily thinking about my chunk of knitting time free of any electronic, human, or stuff distractions.  We usually rent cabins when we go to the woods and hunker in among the trees, only going out to hike or get ice cream and this time was no different, though we encountered extreme plan-changing weather and were greatly distracted by plagues of bloodthirsty mosquitoes.

The only times when I’m truly and massively productive is when I have the ability to only work on a handful of things and I’m in a quiet place, save for bird yells and other nature song.  So spinning wheels, sewing machines, computers, phones (I don’t even have a “smart” one to begin with) and boxes of neat sh*t stay at home and I just bring along some balls and needles.  Good times.  I’ve been sweating over a shawl that I’ve been trying to design (more in a future post) and have been trumped several times over by reversing the pattern and some simple math for increasing and decreasing.  I just can’t get my brain to have an ‘aha’ on this one, but I finally worked out the left and right main portions and just need to figure out the ends and center now, but I might need yet another week in a sylvan sequester to finally conquer it.

New England-new pattern shadow on wall

Here is a shadow tease of some sample bits in worsted.  It isn’t earth shatteringly different or unique, but I haven’t found anything quite like it yet out there, so I’d like to offer the pattern for sale at some point, or at least get the whole damn thing worked out so I can knit it in the special yarn for which I’m itching to work.

New England-new pattern shadow

Part of the time we were there was downright frigid so I took my favorite old cardigan.  I patched the elbow hole with a mini-skein of Pigeonroof Studios handspun.  I love the colorway but don’t know what it is.  The patch is a little heavy for the thin sweater and looks a little bit like an eyeball, but it is a comfy cup for my elbow.

New England-elbow

I also finished a test knit that I love from a designer who makes fabulously fun patterns but it will not be released until next year.  I used Quince & Co. yarn for the first time which I’ll go into further in next the post.  N and I had a fun photo shoot with it utilizing the river and the the cellar’s stone wall.  In addition, I brought part of the cotton blanket and my latest Lacy Baktus along, but didn’t work much on either one.  The power went out on our last night there, so I was able to do a couple of feet of a blanket strip in the dimness since it was white.  While making the test knit, I learned to do applied/attached icord, so now it is a consideration for trimming the blanket – it will depend if I end up wanting a couple more inches of border or not.

New England-Mt Hale

But most of the time was spent on the trail.  We had to cancel our hut reservations for the first two days due to total white-out of freezing fog and snow.  When we finally got out, it was a slippery sloshy wet cold mess and made for some hiking misery on my soggy-ass part since I lacked good/newer waterproof gear (N thankfully hooked me up with a new jacket later on).  The first hike was up Mt. Hale and luckily the sun had returned, but you don’t see the bitter winds (or my bad attitude from having clumps of wet snow eggs plomping down from the trees and onto my head, down my neck, and penetrating my duds – I was wearing wool of course, so hypothermia was kept at bay despite the soaking).

New England-Mt HedgehogBut in just a day or so the weather turned gorgeous and we had a lovely time on Hedgehog Mountain, but then the next day the weather became stranglingly humid and sweltering in the 90s, and hiking became soggy again – this time from the inside out.  After that, I preferred to put the needles down and just sit in the cold river right outside our door.

New England-river

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Meet (some of) my sewing machines…

I learned to sew (or rather I learned how to use a sewing machine) on my mother’s 1960s era Singer.  I made some shapeless elastic waist skirts, “Jams” style shorts, and a few odds and ends in my youth.  During college, I borrowed the machine to make hats to sell at raves.  You heard me, raves – and the real kind back in the day, illegal and last minute and fun as a bucket of monkeys.  I loved her machine – it was metal and solid and felt like well, a machine in the masculine sense.  A few years later I acquired my first vintage machine at my favorite thrift store for something like $6.99.

machines1I’ve had it for nearly 20 years and it is the machine I use most often, however I just had to put it on a time-out due to a tension issue that springs up after an unpredictable amount of time (sometimes after 3 days of use, sometimes after year or so) and it seems to always fix itself as long as I don’t use it for a month or so.

machines1-det

A partial repair tag still clings to the handle – perhaps this tension issue gave the previous owner troubles as well…  After finding this machine, I was on the lookout for more.  Why?  I think I figured it would be nice to have the same one to use for parts if need be, I wanted one with zigzag and other stitch functions, and I just really fell in love with solid things made of metal that could last lifetimes – yes, the plural form.  I hate everything about the objects of our disposable society these days, but then again, obsolete, near-obsolete, and old timey things weigh a ton and are a pain in the ass to move.  But after a few years, I had amassed a collection of around 15 sewing machines, not to mention several typewriters and boxes of cameras and film equipment.  I didn’t move much then and used much of the equipment as furniture in my cramped apartment, but eventually most of it had to go.  Since I used the sewing machines on a fairly regular basis, I kept a half dozen of them or so.

machines4This is the back-up machine for when the pink Atlas is being temperamental.  It too came from a thrift store and I gasped when I opened the box – I’d never seen one that looked so like an automobile of the same era and I loved the deep green.  It sews strongly and steadily but the needle needs to be coaxed into the fabric in just the right way each time that I tend to get a little impatient with it.  Its best use is for sewing long seams or quilting.

machines2

This is the prettiest and the oldest of my current machines and it works just fine.  The bobbin is a little fiddly to work with so I don’t like to change it as often.  When I had more space (and when I will hopefully have more space again) I’d leave it set up with thread in the opposite color of what I was using in the other machine if I needed to hop on it for something else.  I believe this was originally a treadle machine and motorized later, so I have intentions of trying to turn this back into a manual machine, but I’d rather find a treadle machine for a reasonable price (and I could fit in my car or have delivered) instead.  It is also in a re-purposed Morse case that is annoyingly without a lid, so at the very least, I need a new lid/container for it.

machines3

machines3-det

My brother found this lovely Singer for me, but it’s probably been a decade ago…  I have it nearby because I intend to try to find a couple of missing parts for it, but haven’t done much searching around for them yet.  Ironically, it also came with the manual and a few extra tools, so someone was meticulous about keeping it all together only up to a certain point.  This one is also a more compact “portable” model, so it would be convenient to get it up and running as soon as possible.  I’m also slightly afraid to plug in anything old, so the first time I like to be prepared in case of an inferno.

And then I have perhaps two more?  I’m a little nervous that I can’t find them at the moment, but I believe that they could be in storage along with the other third of our stuff.  Hopefully I didn’t get rid of them in the frustration of the move.  One of them is another Atlas similar to my old stand-by that I found left in the trash on the curb in my old neighborhood.  Its cord was cut, perhaps indicating that the motor was blown or that it needs to be re-wired so I can use it for parts, or get it up and running again.  I believe the other machine is another Singer with a bad motor?

The machines I had but sold years ago included a couple of really old ones that had been motorized but weren’t very functional, I believe yet another Atlas, a less attractive 70s machine, and a blue White that I still can’t understand to this day why I got rid of it – it had a zigzag stitch, WTF?  But I think I thought I’d find another…

Some days I’m a little envious of others with the fancy-schmancy machines that will practically stitch up a cup of coffee or an offspring  but mostly I love my hunky metal beasts and will continue to do so…

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Falling off the wagon and joining the crowd…

I’ve never been one for KALs, SALs,* or anything-else-alongs, preferring to shut up in my hidey hole and go about my business at my own pace.  But my last experience with Pigeonroof Studios roving was something I was craving to repeat so I decided to have another little taste.

Pigeon zucchini

I’m torn between actually making this into socks which I first set out to do with my original order of PRS superwash merino roving, or having it nearer to my head or hands… I’m quite the sucker for greens and oranges and this takes the cake!  I’m leaning towards socks, so I will make this a three ply just in case.  I know I won’t get very good yardage with a three ply, but this is so summery that it begs to be short socks.

PRS zucchini

And then over the winter it was announced that there would be a special color for a limited two-month window to act as a spin-along and um, I caved when I saw it was a green blend for May/June called “Mimsy.”  I’ve never done anything at the same time with a group with the exception of occasionally knitting the same thing along with (or after) a knitter friend (who I knew in life, not virtually).  I feel like it is what… too conformist?  Too creepy and whiffs of citizens of a bad government all marching as one?  Too… what?  I’ve secretly longed to be in a few quilt block contribution projects that I learned about after the fact, but I don’t want to waste the time trolling the various interwebsocialnetworkingblatheringblogtimewasting sites to find one currently open.  At the moment the greatest benefit I can see in a -along is the motivation to work with a material in a timely manner and/or other people might be able to offer suggestions, tips, etc., if something comes up or a decision needs to be made.  I’ve been lurking on the PRS group on ravelry and they seemed like a nice bunch, so I jumped into the common soup (you can’t make me drink the cool-aid though).

Mimsy

I also justified the purchase by requiring myself to learn a new technique with this spin, so I got the colorway in BFL (Bluefaced Leicester) so I could make felted/fulled singles or try Navajo/chain plying for the first time.  However, I jumped the gun and already experimented with Navajo plying and suck at it, so it is back to a question of the singles.  I was thinking that I would make mitts or mittens with the finished yarn since it matches one of my tealy-blue wool jackets, but if I make singles, I will have more yardage than hand wear would need and I fear the yarn might not be quite as hard-wearing as it would be if plied, so neck wear it will probably be instead.

PRS with turq

(I hesitate to mention that I also have some solid turquoise-ish** roving that could be blended or plied with it to stretch it further, but I could potentially screw it up.)  But that does get me thinking…  Spinning beautifully dyed wool always results in beautiful yarn, and in a way I feel a little bit like I’m cheating since I didn’t dye it myself.  Sure everyone spins differently and the colors can really change depending on the technique, but it all ends up being uniform in its gorgeousness.  So if I blend it with another color, my potentially f*cked-up skeins would at least be unique and more of a I’ll-do-it-by-myself-thankyouverymuch along… hmm…

And then what was that, there was a sale?

Pigeon two

Yeah, I have a problem…

And the even bigger problem with this last acquisition is that I’m contemplating getting a third braid to go with this project – a striped shawl/scarf – and a third would make it larger, and I mostly like a big-ass neck thing these days.  I’m thinking either a yellow or a brighter deeper green might work… and keep it in a monochromatic-ish palette, but what attracted me to PRS in the first place is its often joyful disregard of monochromaticity, but whatever, I love these colors.

PRS eye

This is your face on PRS.

*Knit Along, Spin Along.

**None of the pictures with the color blue are remotely accurate in terms of color – anything with blue should be more greenish.  The last one is almost right in terms of the wool, however I am not pink (and I do have an index finger on that hand).

The rovings are, from top picture to bottom:

Zucchini blossom in Merino Superwash

Mimsy in BFL

Jadeite in Merino Superwash

Lettuce in Merino Superwash

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More progressions than halts…

I finished spinning the dirty Romney “Rhinebeck blues” roving (and I did in fact originally photograph it with the wrong Shetland sweater that matches it and will be frogged if I need to stretch out yardage).  I’m not sure what I’m going to make with this yet although I know it will be something more along the lines of outerwear since I doubt I’d want to wear this next to my skin.  This will be stored indefinitely at the moment while I work on some other projects this summer.  And silly me, I forgot to count the yardage before I skeined it for the photo…

rhinebeck-finished

During our woods weekend last month, I got out the old long-suffering UFO cotton blanket and came up with a plan of how to finish it.  I ripped out a green stripe/strip that was nearly finished just because I’d have to make another and I didn’t want to.  Instead it will have a couple of narrow white stripes and then a border of green…  I think.  I may take it with me to another upcoming woods trip to hopefully finish or at least complete the body.

cotton blanket

And I just finished a short-sleeved sweater that has yet to be mentioned in public because it was another very long-suffering UFO and I was considering tossing the whole thing in the frog pond.

chocolate top detail

chocolate top full

It is the the Chiton Pullover by Melissa Wehrle, and yes it was on the cover of the Winter/Spring 2011 issue of Knitscene.  It was the first time I got a magazine (hit newsstands in 2010) and got some yarn and started right away.  I don’t know why I didn’t get the recommended yarn (which is quite lovely) but I think I wanted a cotton blend, and I know I wanted dark brown, and what I got was very inexpensive.  But it ended up that I really didn’t like this yarn – Elann’s Luna – it is slick and splitty, had lots of knots and broken parts, and of course is without the elasticity and sheepiness of wool, so I found I didn’t feel like working on it very often.  I also fear the weight of the cotton will pull it downwards – the pattern is already long-torso friendly which I love, but things could get too long.  I originally wanted it to wear in my former overly air-conditioned office, which I no longer have.  And I also didn’t really consider the practicality of somewhat thick, but short-sleeved sweaters – indoors your torso is cozy but your arms goose-bumpy and then you go outside and your arms are comfy and torso is sweaty…  not to mention the added impracticality of having to wash the damn thing nearly every time it’s worn due to the odoriferous nuances of summer armpits.  But it’s done and I’ll keep it around for the time being.

And the latest spinning technique I’ve attempted is Navajo or chain plying.  And I suck at it.  But I found a good use for the redwood roving as my f*ck-it-up-all-I-want-because-I-don’t-care  practice fiber.  And I’m glad I used it because I would’ve destroyed some great new hand-painted roving instead, but now I need to make an old-fashioned three-ply out of it which I was hoping to avoid.

N-ply

Yarn only Roebling could love.

And I also discovered I’ve been spinning left-handed.  I’m ambidextrous in many things except writing and continental knitting (you’ve noticed I don’t do a lot of stranded color work, eh?).  But it was a little surprising that when I switched to right-handed, I sucked, so southpaw spinning is the way for me.

My other publicly proclaimed UFOs from months before?  The sweater quilt is packed away to discourage summer moths, I’m still picking at the shirt quilt, and the rug and a couple of others I’ve yet to mention…?  Well, let’s not go there just now… but at least there are fewer than before, right?  Do I get a cookie?

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